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    The novel is narrated by Humbert, who riddles the narrative with word play and his wry observations of American culture. The novel's flamboyant style is characterized by double entendres , multilingual puns , anagrams , and coinages such as nymphet , a word that has since had a life of its own and can be found in most dictionaries, and the lesser-used "faunlet".

    Most writers see Humbert as an unreliable narrator and credit Nabokov's powers as an ironist. Critics have further noted that, since the novel is a first person narrative by Humbert, the novel gives very little information about what Lolita is like as a person, that in effect she has been silenced by not being the book's narrator.

    Nomi Tamir-Ghez writes "Not only is Lolita's voice silenced, her point of view, the way she sees the situation and feels about it, is rarely mentioned and can be only surmised by the reader It's Lolita as a memory".

    He concluded that a stage monologue would be truer to the book than any film could possibly be. Clegg sees the novel's non-disclosure of Lolita's feelings as directly linked to the fact that her "real" name is Dolores and only Humbert refers to her as Lolita.

    The human child, the one noticed by non- nymphomaniacs , answers to other names, "Lo", "Lola", "Dolly", and, least alluring of all, "Dolores".

    The Siren-like Humbert sings a song of himself, to himself, and titles that self and that song "Lolita". To transform Dolores into Lolita, to seal this sad adolescent within his musky self, Humbert must deny her her humanity.

    In , Iranian expatriate Azar Nafisi published the memoir Reading Lolita in Tehran about a covert women's reading group. She notes "Because her name is not Lolita, her real name is Dolores which as you know in Latin means dolour, so her real name is associated with sorrow and with anguish and with innocence, while Lolita becomes a sort of light-headed, seductive, and airy name.

    The Lolita of our novel is both of these at the same time and in our culture here today we only associate it with one aspect of that little girl and the crassest interpretation of her.

    For Nafisi, the essence of the novel is Humbert's solipsism and his erasure of Lolita's independent identity. She writes: "Lolita was given to us as Humbert's creature […] To reinvent her, Humbert must take from Lolita her own real history and replace it with his own Yet she does have a past.

    Despite Humbert's attempts to orphan Lolita by robbing her of her history, that past is still given to us in glimpses. One of the novel's early champions, Lionel Trilling , warned in of the moral difficulty in interpreting a book with so eloquent and so self-deceived a narrator: "we find ourselves the more shocked when we realize that, in the course of reading the novel, we have come virtually to condone the violation it presents A minority of critics have accepted Humbert's version of events at face value.

    In , Dorothy Parker described the novel as "the engrossing, anguished story of a man, a man of taste and culture, who can love only little girls" and Lolita as "a dreadful little creature, selfish, hard, vulgar, and foul-tempered".

    This is no pretty theme, but it is one with which social workers, magistrates and psychiatrists are familiar. In his essay on Stalinism Koba the Dread , Martin Amis proposes that Lolita is an elaborate metaphor for the totalitarianism that destroyed the Russia of Nabokov's childhood though Nabokov states in his afterword that he "[detests] symbols and allegories ".

    Amis interprets it as a story of tyranny told from the point of view of the tyrant. Nabokov finished Lolita on 6 December , five years after starting it.

    Via his translator Doussia Ergaz, it reached Maurice Girodias of Olympia Press , "three-quarters of [whose] list was pornographic trash".

    Lolita was published in September , as a pair of green paperbacks "swarming with typographical errors". The novel then appeared in Danish and Dutch translations.

    Two editions of a Swedish translation were withdrawn at the author's request. Despite initial trepidation, there was no official response in the U.

    Putnam's Sons in August The book was into a third printing within days and became the first since Gone with the Wind to sell , copies in its first three weeks.

    The novel continues to generate controversy today as modern society has become increasingly aware of the lasting damage created by child sexual abuse.

    In , an entire book was published on the best ways to teach the novel in a college classroom given that "its particular mix of narrative strategies, ornate allusive prose, and troublesome subject matter complicates its presentation to students".

    Many critics describe Humbert as a rapist, notably Azar Nafisi in her best-selling Reading Lolita in Tehran , [48] though in a survey of critics David Larmour notes that other interpreters of the novel have been reluctant to use that term.

    However, Nabokov biographer Brian Boyd denies that it was rape "in any ordinary sense," on the grounds that "it is she who suggests that they try out the naughty trick" which she has already learned at summer camp.

    It bears many similarities to Lolita , but also has significant differences: it takes place in Central Europe, and the protagonist is unable to consummate his passion with his stepdaughter, leading to his suicide.

    The theme of hebephilia was already touched on by Nabokov in his short story " A Nursery Tale ", written in Also, in the Laughter in the Dark , Margot Peters is 16 and had already had an affair when middle-aged Albinus becomes attracted to her.

    In chapter three of the novel The Gift written in Russian in —37 the similar gist of Lolita ' s first chapter is outlined to the protagonist, Fyodor Cherdyntsev, by his landlord Shchyogolev as an idea of a novel he would write "if I only had the time": a man marries a widow only to gain access to her young daughter, who resists all his passes.

    Shchyogolev says it happened "in reality" to a friend of his; it is made clear to the reader that it concerns himself and his stepdaughter Zina 15 at the time of Shchyogolev's marriage to her mother who becomes the love of Fyodor's life.

    Nabokov used the title A Kingdom by the Sea in his pseudo-autobiographical novel Look at the Harlequins! In Nabokov's novel Pale Fire , the titular poem by fictional John Shade mentions Hurricane Lolita coming up the American east coast in , and narrator Charles Kinbote in the commentary later in the book notes it, questioning why anyone would have chosen an obscure Spanish nickname for a hurricane.

    There were no hurricanes named Lolita that year , but that is the year that Lolita the novel was published in North America.

    The unfinished novel The Original of Laura , published posthumously, features the character Hubert H. Hubert, an older man preying upon then-child protagonist, Flora.

    Unlike those of Humbert Humbert in Lolita , Hubert's advances are unsuccessful. The novel abounds in allusions to classical and modern literature.

    Many are references to Humbert's own favorite poet, Edgar Allan Poe. Humbert's first love, Annabel Leigh, is named after the "maiden" in the poem " Annabel Lee " by Poe; this poem is alluded to many times in the novel, and its lines are borrowed to describe Humbert's love.

    A passage in chapter 11 reuses verbatim Poe's phrase A variant of this line is reprised in the opening of chapter one, which reads In a princedom by the sea.

    Humbert Humbert's double name recalls Poe's " William Wilson ", a tale in which the main character is haunted by his doppelgänger , paralleling to the presence of Humbert's own doppelgänger, Clare Quilty.

    Humbert is not, however, his real name, but a chosen pseudonym. The theme of the doppelgänger also occurs in Nabokov's earlier novel, Despair.

    Chapter 26 of Part One contains a parody of Joyce 's stream of consciousness. Nabokov was fond of the works of Lewis Carroll , and had translated Alice in Wonderland into Russian.

    He even called Carroll the "first Humbert Humbert". In her book, Tramp: The Life of Charlie Chaplin , Joyce Milton claims that a major inspiration for the novel was Charlie Chaplin 's relationship with his second wife, Lita Grey , whose real name was Lillita and is often misstated as Lolita.

    Although Appel's comprehensive Annotated Lolita contains no references to Charlie Chaplin, others have picked up several oblique references to Chaplin's life in Nabokov's book.

    Lolita's first sexual encounter was with a boy named Charlie Holmes, whom Humbert describes as "the silent When Humbert visits Lolita in a class at her school, he notes a print of the same painting in the classroom.

    Delaney's article notes many other parallels as well. The foreword refers to "the monumental decision rendered December 6, by Hon. John M. Woolsey in regard to another, considerably more outspoken book"—that is, the decision in the case United States v.

    In chapter 35 of Part Two, Humbert's " death sentence " on Quilty parodies the rhythm and use of anaphora in T. Eliot 's poem Ash Wednesday.

    Many other references to classical and Romantic literature abound, including references to Lord Byron 's Childe Harold's Pilgrimage and to the poetry of Laurence Sterne.

    In addition to the possible prototypes of Lewis Carroll and Charlie Chaplin, Alexander Dolinin suggests [60] that the prototype of Lolita was year-old Florence Horner , kidnapped in by year-old mechanic Frank La Salle, who had caught her stealing a five-cent notebook.

    La Salle traveled with her over various states for 21 months and is believed to have raped her. He claimed that he was an FBI agent and threatened to "turn her in" for the theft and to send her to "a place for girls like you.

    German academic Michael Maar 's book The Two Lolitas [61] describes his recent discovery of a German short story titled "Lolita" whose middle-aged narrator describes travelling abroad as a student.

    He takes a room as a lodger and instantly becomes obsessed with the preteen girl also named Lolita who lives in the same house.

    Maar has speculated that Nabokov may have had cryptomnesia "hidden memory" while he was composing Lolita during the s. Maar says that until Nabokov lived in the same section of Berlin as the author, Heinz von Eschwege pen name: Heinz von Lichberg , and was most likely familiar with his work, which was widely available in Germany during Nabokov's time there.

    Nothing of what we admire in Lolita is already to be found in the tale; the former is in no way deducible from the latter. One of the first things Nabokov makes a point of saying is that, despite John Ray Jr.

    Nabokov adds that "the initial shiver of inspiration" for Lolita "was somehow prompted by a newspaper story about an ape in the Jardin des Plantes who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage".

    In response to an American critic who characterized Lolita as the record of Nabokov's "love affair with the romantic novel", Nabokov writes that "the substitution of 'English language' for 'romantic novel' would make this elegant formula more correct".

    Nabokov concludes the afterword with a reference to his beloved first language, which he abandoned as a writer once he moved to the United States in "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian language for a second-rate brand of English".

    Nabokov rated the book highly. In an interview for BBC Television in , he said:. Lolita is a special favorite of mine. It was my most difficult book—the book that treated of a theme which was so distant, so remote, from my own emotional life that it gave me a special pleasure to use my combinational talent to make it real.

    Over a year later, in an interview for Playboy , he said:. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle—its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look.

    Of course she completely eclipsed my other works—at least those I wrote in English: The Real Life of Sebastian Knight , Bend Sinister , my short stories, my book of recollections; but I cannot grudge her this.

    There is a queer, tender charm about that mythical nymphet. In the same year, in an interview with Life , Nabokov was asked which of his writings had most pleased him.

    He answered:. I would say that of all my books Lolita has left me with the most pleasurable afterglow—perhaps because it is the purest of all, the most abstract and carefully contrived.

    I am probably responsible for the odd fact that people don't seem to name their daughters Lolita any more. I have heard of young female poodles being given that name since , but of no human beings.

    The Russian translation includes a "Postscriptum" [74] in which Nabokov reconsiders his relationship with his native language. Referring to the afterword to the English edition, Nabokov states that only "the scientific scrupulousness led me to preserve the last paragraph of the American afterword in the Russian text Alas, that 'wonderful Russian language' which, I imagined, still awaits me somewhere, which blooms like a faithful spring behind the locked gate to which I, after so many years, still possess the key, turned out to be non-existent, and there is nothing beyond that gate, except for some burned out stumps and hopeless autumnal emptiness, and the key in my hand looks rather like a lock pick.

    Lolita has been adapted as two films, a musical, four stage-plays, one completed opera, and two ballets.

    There is also Nabokov's unfilmed and re-edited screenplay, an uncompleted opera based on the work, and an "imagined opera" which combines elements of opera and dance.

    From Wikipedia, the free encyclopedia. This article is about the novel by Vladimir Nabokov. For other uses, see Lolita disambiguation.

    For the band, see Clare Quilty group. This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations.

    Statements consisting only of original research should be removed. November Learn how and when to remove this template message. United States portal s portal Novels portal.

    Retrieved 3 January Retrieved 31 August The word Lolita has, however, strayed from its original referent, and has settled into the language as a term we define as 'a precociously seductive girl.

    The definition of Lolita reflects the fact that the word is used in contemporary writing without connotations of victimization.

    The Atlantic. Retrieved 8 October Great Soviet encyclopedia. The book of ages. Women's studies: a recommended core bibliography.

    Loeb Libraries. Russia: a country study. Sex and Russian society. Indiana University Press. Dangerous pilgrimages: transatlantic mythologies and the novel.

    Vladimir Nabokov, a reference guide. Lolita: a Janus text. Twayne Publishers. Philosophy and Literature. The Paris Review. Archived from the original on 19 January Retrieved 31 January Longform Media.

    Archived from the original on 21 January Vladimir Nabokov's Lolita: A casebook. Vladimir Nabokov, Lolita: A reader's guide to essential criticism.

    Cambridge: Icon Books. The Times. Archived from the original on 15 June The New York Times. Over her dead body: death, femininity and the aesthetic.

    Manchester University Press. Retrieved 2 October Retrieved 30 January I think there are only about three sections in which Humbert doesn't undercut his expressions of love and guilt with irony.

    How can we transpose HH's offhand rhetorical remarks like, "Where is the rapist in therapist? Where is the jest in majesty?

    The story itself is so simple that, if Lolita weren't twelve years old, it would be just another love story.

    And, I was, by the way, surprised when this film was released at the horror some people felt -- oh, my gosh, a movie about pedophilia. I mean -- in this day and age?

    Movies about thinly disguised pedophilia of course have been around for years -- "Sundays and Cybele", "Pretty Baby," among others. And the Shirley Temple movies may not have been all that innocent either, she prancing about in those tiny skirts reeking of popcorn and lollipops, wagging her tail, a forty-year-old midget for all we know.

    And if we think of Lolita as innocent and corrupted, we don't know as much about what's happening with kids that age as we might like to think.

    This is a story about pedophilia in the way that "Faust" is a story about Satanism. Jeremy Irons is superb here, as he is in almost everything he's done.

    One can't help comparing this version to Kubrick's earlier one, and this one isn't as good. Dominique Swain is no Lolita. She's an improvement over Sue Lyons, to be sure, but not actress enough to break a grown man's heart, or to project that peculiar combination of meanness, crudity, and ultimate loneliness that Lolita embodied.

    Melanie Griffith does what she can with the role of Charlotte Haze but I thought Shelley Winters brought a bit of additional, maybe unintended vulgarity to the part.

    Griffith is serene and self-confident, which is closer to the Charlotte of the novel, but for unashamed raw hunger nobody can beat Winters.

    The direction is competent, not much more than that. But this is a hollow movie. It fails to capture the outrageous humor of the novel "I was a pentapod monster The score is lugubrious.

    The photography gloomy where the novel is filled with summer warmth, aspens, butterflies and sunshine.

    In other words, the movie treats the novel as a "masterpiece," deserving serious treatment, which is the kiss of death for "Lolita.

    But if you are interested in unusual love stories I can recommend seeing this. See Kubrick's piece as well. They're rather different, because Kubrick, maybe realizing he could never capture the wisecracks in the novel, at least brought in Peter Sellers to provide laughs.

    But here, Quilty, Frank Langella, is little more than an ominous shadowy presence, whereas both in the novel and in Kubrick's film he was a terrible and hilarious tease.

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    Rate This. A man marries his landlady so he can take advantage of her daughter. Director: Adrian Lyne. Writers: Vladimir Nabokov novel , Stephen Schiff screenplay.

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    Youre a godsend. I read all 27 chapters. It was a decent series. User Reviews. User Ratings. External Reviews. Metacritic Reviews.

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    Share this Rating Title: Lolita 6. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Jeremy Irons Humbert Humbert Melanie Griffith Charlotte Haze Frank Langella Clare Quilty Dominique Swain Dolores 'Lolita' Haze Suzanne Shepherd Miss Pratt Keith Reddin Reverend Rigger Erin J.

    Mona Joan Glover Louise as Pat P. Perkins Ed Grady Melinik Michael Goodwin Beale Angela Paton Holmes Ben Silverstone Edit Storyline In early adolescence, Humbert fell hopelessly and tragically in love with a girl his own age, and, as he grew into adulthood, he never lost his obsession with "nymphets," teenagers who walk a fine line between being a girl and a woman.

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